It’s not every day an animated movie emerges from Pakistan — and if it’s feature length, 2D hand-drawn animation, that’s virtually unheard of coming from this region of South Asia. For Usman Riaz, creator, animator, co-composer and director of The Glassworker, it took dedication and perseverance to bring this first-of-its-kind animation from Pakistan in front of a global audience.
Ever since The Glassworker’s first images were released, animation fans worldwide have been anticipating the release of Pakistan’s first 2D-animated feature. The stunning, handcrafted movie, which is deeply influenced by the work of Japanese master Hayao Miyazaki, is directed by Usman Riaz and produced by his cousin Khizer Riaz and the team at their Karachi-based studio, Mano.
The Glassworker , the first hand-animated Pakistani film, is a triumph. In the anime style and with a strong influence of Studio Ghibli, this story of impossible love in times of war directed by Usman Riaz captivates thanks to its audiovisual elements and a narrative that, although inconsistent, weaves together themes such as nationalism and classism. effectively.
After waiting 24 years for a 2D animation studio to come along in Pakistan, artist and musician Usman Riaz decided it was time to roll up his sleeves and create one himself.
the other big piece on Annecy screens is of course the feature films , divided into several categories, from the official competition to the various more or less promotional previews (without forgetting the outdoor screenings, see below). Among the recent features that I'm particularly looking forward to, and which I've already talked about, include
Pakistan may not yet be known for great 2D hand-painted animation, but the Riaz cousins plan to change all that, come this year’s world premiere of ‘The Glassworker’ at the prestigious Annecy Festival in June.
Hand-drawn Animation Studio co-founded by Usman Riaz
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